In one of the most revealing sections, he cited one of the hurdles of commercial music, lamenting that he “can’t really pour my heart out on the FM radio,” adding that deeper songs “won’t fill up the coliseum on the edge of Tupelo,” a line that - once again - was shaped by Mississippi-born HARDY.īentley wasn’t complaining in that moment, but actively seeking to be challenged: “Give me something that’ll burn I can turn into something I can feel.” The challenge was to dig deep in life, but also to dig deep in a song and still make something commercial. You have to be responsive, you have to be kind you have real conversations.” You can’t be a jerk, you can’t not respond to a text message because you’re going to literally see them at the post office. “There’s so much accountability living in a small town because you see these people two, three times a day. “I love living somewhere small, you know, with no stoplights,” he says. The opening verse found arena-headliner Bentley longing for an easier, less-cluttered lifestyle, which is part of the attraction in Telluride. Copperman and Dick tended to focus more on the music, Gorley and HARDY - who snapped out the chorus’ opening image, “I need a little backbone in my backbeat” - keyed in on the lyrics, though all of them jumped around a bit to different aspects of the song and to different stanzas. With five A-list writers participating, the process involved some chaos. He hopped over to the house where the other writers were staying, with a now-forgotten title built around the word “real.” Whatever that title was, it reconstructed as “Something Real,” and they used it to explore the dichotomies in Bentley’s existence - aiming to do it in a way that could be felt by the audience. In the less-dangerous arena, Bentley woke up at his home one morning and worked up a few ideas over French roast coffee. He’s not going to ski with the novices, or even the intermediates. “I hadn’t been skiing in forever, and he put me in past my comfort zone, which is funny, because he’s pretty much a local up there now. ![]() “What good is being in Telluride if you’re inside the four walls?” Dick asks rhetorically. It was early winter, and Bentley engaged in some real-life pursuits during that four-day retreat, including hikes and a trip to a ski slope with Dick, who admits he was challenged. With his latest single, Bentley found “Something Real” in the mountains of Telluride, Colo., when he hosted a songwriting camp circa 2018 with four fellow writers: HARDY, Ashley Gorley (“Last Night,” “Girl in Mine”), Luke Dick (“Burning Man,” “Settling Down”) and Ross Copperman (“Dancin’ in the Country,” “Gold”). I really do appreciate being alone, or with my wife or my family, but just having real conversations and watching sunsets and sunrises and just looking for those moments that really make you feel like you’re connected to something deeper.” I’d rather be up on a mountain by myself, just alone. “But off the stage, that’s just not who I am. “We’re all looking for the raw emotions, the connection with the singer, the connection with fellow fans, and so that mode’s very real,” he says of his onstage identity. That conversation was one of those moments when the push and pull of his introspective private self and cheerleading public role crystallized, and it’s a dual purpose he continues to balance. He has plenty of fun stuff to draw from in building set lists - “5-1-5-0,” “Somewhere on a Beach,” “Drunk on a Plane” and “What Was I Thinkin’,” for starters - but he’d always thought of himself as a serious musician with something to say. It wasn't me, but I really liked the demo a lot … We wrangled it in to make it mine it feels like mine now.Several years ago, Dierks Bentley was taken aback when one of his team members told him his concerts made him the center point in a big party. I really liked the demo I thought the demo was great. I sang it a lot of times to make it feel like my own. kind of classic sounding, and juxtapose this against the more urban delivery of the lyrics.' We said, 'Let's just try to make the verses sound really vinyl-y. We came back, and we started stripping everything out. It has this - more of a city delivery to the cadence to the lyrics. ![]() The demo's a lot higher the person was singing in a much higher key than I was. Just tackling that song, it was really challenging. "I feel like it was new territory for me as a singer. However, once he listened to the song, he was drawn by its "intangible quality" and "the way that it all comes together." He explained to The Boot: The first thing that Dierks Bentley noticed when he received the demo was the title, which wasn't something he necessarily would gravitate towards.
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